I was born in a small township of New Jersey shortly after Big Joe Turner climbed the R&B charts with "Shake, Rattle and Roll," and before Albert Schweitzer accepted the Nobel Prize for Peace. A lithograph of the latter, artist unknown, hung on our living room wall until the death of my mother almost five decades later.

My entrance, I am told, was less dramatic than Hurricane Hazel. Dad painted the porch trellis while my mother and a worn copy of Doctor Spock's Baby and Child Care were whisked to Rahway Hospital in a vegetable truck. I arrived unfashionably early, a habit that, in my middle years, approaches obsession, and still induces my small circle of friends to quote illegitimate times for a Sunday morning brunch, baby shower and softball game. This deception has backfired on several occasions, the most recent episode coinciding with my forty-sixth birthday and a surprise party in my honor. I will not burden my readers with the finer details of that celebration that, on reflection, still causes me to reach for a cherry-flavored antacid tablet. Or two.

Notwithstanding, on the twenty-third day of October in the year 1954, Mom counted my fingers and toes and, satisfied, called my father and sisters. Cutting short Rachel's howls of disappointment (she wanted a brother more than a Betsy McCall doll), my mother beckoned a nurse to escort her to the bathroom. Fifteen minutes later, Hank's head crowned in the toilet bowl.

I can not recollect much about the place of my birth or, from my mother's point of view, her double-birth. We lived on one of the three streets that belonged to our township, a makeshift solution to the housing shortage that followed the Korean War, and a crisis on a much smaller scale: my oldest sister's insistence upon consuming fried hamburgers for breakfast. Ruthie's carnivorous craving I do not recall. However, since the death of our beloved matriarch, I have notated in my journal a dozen times a curious phenomenon that occurs during my weekend morning strolls that, at first by coincidence and then by choice, place me in front of a 24-hour grill near the northeast corner of Allen and Stanton. From this location, I am certain that I can hear my mother's strained voice: "If you eat one more hamburger, you will turn into a hamburger!"

I have a distinct mental image of our kitchen and kitchen cupboards, and the door that led to the side porch and, eventually, to the street. Consultation with my sisters, I am certain, would reveal the particular name of our street and, perhaps, our exact address. Rachel, unfortunately, is proctoring a final exam in Women, Sex and Politics at Columbia, and Ruthie's recent divorce has qualified her as Missing-in-Action although I suspect that she is engaged in any of several stages of intercourse with the only heterosexual hairdresser in New Haven whose uncanny resemblence to Shirley MacLaine's brother is a little unsettling. Nevertheless, I am sure that this narrative can withstand the omission of Warren Beatty references and the intimate details of my sister's post-adolescent rebellion, as the latter approaches an age equivalent to the sum of the two quarters in my trouser pocket. Luckily, they are not my last.

I do not wish to mislead my readers into thinking that I am totally unsympathetic, but I would like to avoid the sensitive theme of sibling rivalry and return to the scene of my childhood with another recollection of geographical merit: the bumpy road. This gravel road ran the circumference of our township, cutting between the woods that bordered the Rahway River and choked our communal back yards with thick foliage, further isolating Winfield Park from it's neighboring towns . Engorged mothers, cooing babies and whole families disappeared in the shade of the weeping willow. Playpens and hammocks squeezed between chestnut trees, stout and tall. Kite tails and robin red-breasts and the occasional howling tom cat decorated the hardwood branches of the sycamore. Children buried soda caps and lucky pennies under honeysuckle hedges, and argued incessantly over the source of the sweetest nectar -- the white flower or the yellow. I favored the latter. Suffocated back yards, collapsed playpens, tangled clotheslines and cardboard wading pools predisposed the few and far between traveler to reach the same conclusion: to coin a phrase, white trash. If the reader has never experienced being without money or a job, he may corroborate with the infrequent bumpy road traveler. If he has been, he may see the slightly warped picnic hampers under the giant willows or smell the aroma of fresh bottled chocolate milk. Or he may note the burnt embers from the deep pits of roasting chestnuts, or count the honey bees feasting on vine after vine of bell-shaped flowers.

I don't remember much else about Winfield Park except that it wasn't really a park, and that all of the one, two, three, four, five and six-family houses were painted white with green trim. The township boasted nothing more, nothing less than a roller skating rink, a liquor store and, at the end of Seafoam Road, an elementary school. I remember that once, in Kindergarten, I was scolded by Mrs. Farber when I drew a face on the dusty sole of my red shoe with a wad of frothy saliva. She sent me, barefooted, to the far corner of the room and ordered me, in no uncertain terms, to face the wall. I did. After she instructed the other children in fan folding techniques and the difference between the color red and the color orange, she approached me from behind. "Lift," she said. I lifted my arms. Her voice sharpened. "Lift," she repeated. I dropped my hands and pulled the hem of my brown cotton dress to my waist. "No, dirty Jew!" cried Mrs. Farber. She kicked my right heel. I raised my foot off the ground. "Now lower it," she said. I did. Even at that tender age, I distinctly recall the acute sensation of shame when Mrs. Farber sent for Rachel to observe my state of disgrace. My sister did not see the sharp object--a nail or, perhaps, a coveted piece of broken glass from my teacher's mirror--embedded deep inside my flesh. Inside my soul.

I have a distinct mental image of the day that transformed our lives. I ask the reader to pardon my use of literary license, and I will enhance the pivotal event with a dialogue that happened or did not happen. It occurred in the fall of 1959. On that day, my father came home from work with a bloodied nose:

"Get the dish basin, Hank!" my mother cried. "Hurry, son, hurry!" My lanky five-year-old twin plucked the plastic basin from the sink, shoved it at my mother and ran to his bedroom. My toes curled and uncurled on the linoleum floor. Ten unclipped nails scratched at the surface of the gritty tiles that held me hostage. Although I longed to escape, too, I could not move. I could not run. In retrospect, my action -- or, rather, inaction -- does not surprise me. Even then, I was my father's child.

I focused on my dad's bobbing Adam's apple as my mother wiped and crooned, crooned and wiped. "What's wrong, Morris?" she asked. "What happened?"

The direct descendent of Jacob Goldstein, Mahatma Gandhi and Abraham Lincoln stretched his lips into a large donut hole and bawled, "They voted me down, Gwen! The housing board said that no colored people were moving into this town! They called me a nigger lover, Gwen. The president of the stinking board called me a nigger lover and a kike and a bad role model to our children!"

"Lean back, Morris."

An ice cube skidded across the floor. My father and I watched its path of least resistance. The chip ricocheted off our second-hand Frigidaire, the leg of a chair and disappeared under the table.

My father made a fist. Then he shuddered. Then he flattened his hand against his forehead. The drama unfolded. "Oh, Gwen!" he cried, "I hit the god damned Nazi first!"

His words stabbed me like the prickly spines of a chestnut bur. I dropped to my hands and knees and crept under the kitchen table. Out of my father's range of vision, I plucked the frozen chip from the floor and covered it with two pudgy hands. Cradled at my chest, I hummed softly while the solid cube liquefied and my father's tears subsided.

By the time my tee-shirt dried and a wet crust plugged my dad's left nostril, I had already forgiven the larger-than-life man who embraced his ideals before hugging his frightened youngest daughter. From that moment on, I accepted the contradictions of my father's actions and sought his approval through blind imitation.

Three months later, our family moved from Winfield Park Township to the south side of the tracks in Cranford, New Jersey. Our street boasted a corn field, a playground and three churches. Our neighbors were ministers, school teachers, undertakers; the unemployed, the underpaid, high school drop-outs; liquor store owners, garbage collectors, housekeepers. Every flesh tone was accounted for in warm hues of brown, darker shades of chocolate, and charcoal black. Every flesh tone was accounted for except for the determined white jaw of my liberal father, the milky-colored face of my ex-card carrying mother, and the frost-bitten cheeks of four siblings that neither resembled their parents or each other. Hank, Ruthie, Rachel and I did not sleep well that first night in our new home. I don't know if anyone in that small suburb of New Jersey slept at all on the night our family integrated a black neighborhood at the dawn of a new decade.

I distinctly recall the strains of the last sound that filled my ears on that long ago evening. It was the voice of my father. He sang with a passion that, to this day, rekindles my spirit and swells my bosom with pride:

Shake, rattle and roll, shake, rattle and roll.
Shake, rattle and roll, shake, rattle and roll.
Well, you won't do right to save your doggone soul


Bara Swain's short story, "The Daughter", appears in Long Shot Magazine's 20th Anniversary Issue (May 2002). Her prose will also be featured in the upcoming anthology, Love is Ageless: Stories About Alzheimer's Disease (2nd edition). Her award-winning plays have been produced in NY, Missouri, NJ, Tennessee and Iowa. Recent performances include "Ideal Grace", First Place Winner, Dubuque Fine Arts Players National International One Page Play Festival 2001 (Chez Laroe, NYC); and a dramatic reading of selected short stories, "Your Health Comes First...You Can Always Hang Yourself Later" (Kaufmann Theater, American Museum of Natural History, NYC). Bara is the Dorsal Editor at Doorknobs & BodyPaint.
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