She pressed her face
against a dust-stained window
sliding glass doors leading
onto a deserted porch
She once loved a man who left
for the Ukraine
He sent her a postcard
rows of romashki
dried and sealed
in a envelope dated 1910
 
Today I bought her a bird feeder
hung it from weathered siding
white chipped paint giving way to 
the smell of ancient sunflowers
as I poured in the seeds
Her eyes, those sliding
infinitely blue-stained windows
of so many lost summers, 
sparkled wide open as the first
chickadees discovered the feeder
flew off and told others
goldfinches, nuthatches, titmice,
cardinals, grosbeaks, and jays
 
Over the joyful wash of so many songs,
each unique if you really listen,
I heard her laugh -
the first time in a hundred years -
as she let go of my hand
and slipped through the pane
into ghostly summer light


Gregory Owen Pearse

Born in Queens, NY, Gregory Owen Pearse's first story was about an ant in a spaghetti factory. He was all of nine at the time. Many years later, he still likes spaghetti but fortunately has moved onto other things. He received his education at Rice University, where he studied music and cinema and married Russian-born organist Maria Wagner. His first feature film, Return to Light: a Spiritual Odyssey (2003), was hailed as "An astounding piece of filmmaking of personal vision!" In 2008, he embarked on a successful series of films exploring Native American spirituality with an Apache Medicine Man. His latest feature, The Last Days of a Homeless Faust (2010), was made with a predominantly homeless cast on the streets of Houston. His website at www.cinemaseekers.com has become quite popular over the years with art-film buffs and truth-seekers. Pearse's poems are in many ways crystallizations of his work in cinema.



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