ICE CRYSTALS FORM ON THE MIRROR,

the coals hiss,
burst blue-black every now & then.

Processional.
Recessional.
Life was straight ahead, brown bread, for so long.

Now I must put my thoughts
down:
decent Quaker brown.

Lacy New England sky
like this doily my Aunt did crochet:
Now, a war-widow, I wear only blue like the sea, but one of linsey-woolsy.

Knit branch
of knit sea
of pearled ocean-sky.

Last year a thrush entered the room with the explosion of a gun.
This year
they rim the terrace wall, starvelings.

All day, their incessant crying.
Last year I had everything:
Lyric, comic, history--legend.

Amelia heals from pneumonia,
cousin Jack takes her by train into Amherst
to look at colleges.

Nick is ever so busy:
I will curl up like a leaf
drawn the season over my head:

looking in the oval glass:
I only the sorrow
& the horror

a white hair, here there
eyes more
hooded, mirrored:
     Lie prone instead
     against the season of logs wind-ruffled, the fiery-red.




THE THRUSH ALIGHTS ON THE BRANCH

like black flame
but doesn't ignite
Relieved my meeting with Mary
is two days away.
Jack, that swaggart, braggadocio has gone to town.

I blow the lamp out early.
Around fieldstone
winds moan

like--
banshees:
I give Jeremy some cough syrup, barking half the night like a seal

& lie down
thinking of the decay of our country:
won't, like an expatriate, abandon it because of the pain of what it has become.

If I ever slow down
my ire,
my bent for anger might kill me:

a moving mark is safer.
Mark my word:
Thomas, you were heard

that last thanksgiving
when you held me hard
deriding the Southern woman who owned her slaves

saying it was her you went to fight:
Then we both stepped into the yard
ice-crusted

till we thought we saw, we heard
the Southern belle, selfish, tired
of sewing bandages, baking muffins, the slaves could burn their hands.

We redoubled our resolve:
we'd let each other go, unlike Merilee, Confederate wife
shuddering at conscription passed in April 1862:

eclipsed by personal wishes
not just her dread of separation from Andrew--
she said the draft hung like Damocles sword over her head

took to her bed:
"Twenty Nigger Law" was passed, burgundy, buckram-bound
October

exempting supervisors of twenty or more slaves
from draft.
So I let him go, you go, Thomas, even pushing you with rancor

a rust shine to the sky:
there weren't enough ways to be brave:
mirroring
your hair, the gleam in your eye, my only, my true brave love.




FROM THAT TIME FORWARD

patriotism, self-sacrifice
won

over the Southern belle's description of camp visit
'short, unsatisfactory, tantalizing.'
Far better the anxiety of a hunter's moon, the Yankee salt rubbed in the wound

the stars in railroad line
the cars of the brain:
the excruciating richness
to prolonged separation.




CHANGE IN HIS HABITS

from service as a common soldier
won my heart twice-over.

Every mother confronted the same terror:
Meditational Mondays, however, moved in me
then meditational more days, Tuesdays & Wednesdays

till I looked in the mirror
& caught not my own reflection,
my own eye:
      but the fixed
      yet worshipful, winning eye of the sea.




MOTIVATED BY MISERY,

began writing.
Abandoned other plans

but while Jeremy cleared his lungs with bright freezing
weather in our New England, our Quaker & Shaker land.
& Samantha grew more round
--I knew it would be a girl this time

my skin looked clear,
my smile was prettier, Cousin Katie was saying. . .
the privileged life of the Southern bumped

which never fitted them,
I pursued
pristine talents of my own, our own

I say ours
for we always aimed
to write journals of our settling in

And had you returned home,
handsome one,
the hardships of battlefield

would not have diminished
but further
entitled us to art, that protection

which now the winds bemoan round deathman's bend.
the loss of
& the eleven short months we had in each other's arms.




"THOUSANDS OF LADIES"

Women called upon to renounce luxuries
in the South
they encompassed more than just giving up their men.

Called upon to work actively in support of Southern armies.
So they fought for the Devil
while we

towed under New England skies
those pale
blue purple tents

reading of "Thousands of Ladies," one Confederate wife
wrote up in May 1861
who never worked before
were hard at work on sewing all over the tiny slave-holding nation.




A SOCK A DAY FOR THE SOLDIER

was nothing.
Leisurely comfortable occupation
unchanging even as war grew bloodier

to equal mars.
These women thought it unhealthy to rise with the sun.
Severe shortage of cloth of occur plagued the South:

Now, in postwar years, many Confederate women's memories
describe
woman's dedication,
ingenuity in producing the homespun

garment
when the cloth of the spirit
was the only thing

we need repair:
they were beyond
who wore "only homespun," clothes due to the slaves' skill in spinning, weaving.




THE LACK OF CANDLES

was solved by slaves like fanny who made candles
while Missus watched her arrange wick in molds.

Why have a dog
& do one's
own barking, wrote one Southern woman.




WHAT VALIDATION OF FICTIONAL IMAGES

Is possible?
All simplicity of the old order:
family holding decorum by appealing to its past.

each member living like a Russian doll in a nest:
ritual
tradition.

Women marry men who court them:
boisterous, reckless, exciting men
but not because the women love them.

We are above viewing the dark mirror reflecting the antebellum South:
A smoked glass mirror.
What rebellion goes on in my own home, among
the children, because Thomas is gone

fails to drive me mad:
I know the mortal zone
the zero ground of letting fail & living on.




WHATEVER YOU LOOK FOR IS RIGHT BENEATH YOUR EYES

I tell my boy.
Then turn to window: winter sky, mulberry sky.

I look at the grey steeple on Massachusetts sky.
Must it be
those who live on in the south bequeath
failure, defeat, sublimation to their ancestry?

Do they set out to live a life of failure?
Ice-crystals form on the window
the coals hiss.

My memory is random, faulty
as I walk the widow's walk in dream I have memorized
down Ancestor Street to the breakfront.

Pungent as the smell of salt fish, remote, fleeting
the salt is what awakes me
to the world Thom knew as a small boy:

Salt as preservative
of the daguerreotypes
sepia, but at twilight, glowing, lively:

the children touch the flesh of a cheek,
look into an eye:
that looks back, that handsome eye which looked last

down the barrel of a file
its hairline locater
a crucifix upon Dixie sky.

      Heavenly sunset--go slowly.




CRUEL DREAMS

seeing straight ahead as if thru a mirror glass
unable to avoid collision with what is to come;

Thom:
face iced over with snow & sleet

back to the wind
heavy axes hitting frozen wood
coffee steaming from a jug
the whole valley cheering:

Thom
looking straight in front of him
as thru a looking glass

at unprecedented sea-like greenness:
to me:
the thousand blessings ice-bright but. . .
thaw & spring.





PART TWO

Mrs. Pinkard Hated to Overtake Me


THE WORLDLESS STATE OF SOME POETS

the state close to tears
is mine, with the onslaught of spring.

Mrs. Pinkard was coming behind me on the hill today
rising
when she reached she said, "I hated to overtake you, Ruth,"

But truth is she didn't.
I was glad
to have someone take the rise & dip leaving me to hear
both footsteps behind & view

her retreating back.
I needed no tale of foreign prison,
& espionage.

I needed no one to condescend
to comforting:

Celebrating solitude
one becomes thoughtful
leisurely:

if only the first spring were past
it could be
an exceptional thing

full of fascinating
vigorous life.
If only

the smiler
with the knife, the man going round taking names
hadn't overtaken him.




A CHATELAINE WITH KEYS

rustling at my belt
like some nun
I go, I put my thoughts down

in plain
Quaker
brown.

I feel like I've waited all my life
to walk out
alone in winter

peel off
civil ways
& get my teeth into something

although later
I will walk across the meadow
reflected in the mirror

facing North
alone, thinking the forbidden thought

larch logs
cracking
while crouched on splintered rotting bridges that span little creeks

the shadow
of mayflies
will move swarming.




A BRIGHT-EYED WEASEL

in first of his summer browns
begins to show
coming out of the willows, darting dauntlessly down the old bridge toward me.

Have I changed?
I can still
across the deep dark wood & the quiet, I see the cabin

the shadow of him.
He was right:
I can file a saw now that I put my mind to it:

But despite the flurry
of late snow
my heart hasn't changed.

If a dark blue rain comes
bending trees
in nightair

& all the snow
on rooftops & buggies melts
you wake up & look in the mirror

All is lost:
In a second, breakup. The bond between seasons
buckling, folding

frost leaving barns
earth stretching
long as the time since I have seen him.




Lynn Strongin (b. New York City, 1939) grew up in New York and various parts of the South where her father was stationed as Army Psychologist. She has lived in Canada for the past 27 years. Will have 12 published books by September, 2006, among them the just-published anthology The Sorrow Psalms: A Book of Twentieth-Century Elegy, (University of Iowa Press) listed by 'Poetry Daily" among new books, and Dovey & Me (chapbook, can be ordered from Solo Press.org) as well as The Birds of the Past Are Singing (cross-Cultural Communications.) Her fiction has appeared in The Dublin Quarterly, StorySouth, and Confrontation among other journals. One piece was nominated in 2005 for a Pushcart Prize. Work in more than 30 anthologies of poetry, seventy journals, both in print and on-line.

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