We sit side by side. Silent. Reading. He, Genet. Me, Colette. Graffiti spit across the inside of the subway car. A bright yellow ad for hemorrhoid medication across from us, in Spanish. Train rattling. Screeching, as it pulls into the station. We drop our books into our packs and follow the noisy crowd, parents and children, mostly, into the bright Coney Island light. So different from the narrow Village streets we live on. Most of the crowd heads toward the amusement area. We walk to the boardwalk. Skyfull and wave loud. Stop for food. Sit, waves crashing, on beach, on breakers, teeth sinking into knishes, kasha, potato. We share a cherry cheese for dessert. Crimson clings to his teeth and I want to lick it off. Don't. This isn't our turf. Vapor of a distant silent jet cuts the sky, heading off from JFK. He points to it as it fades. Lets his hand brush my thigh for an instant, then pulls it away.

We walk to the aquarium. Pay. Wander, duck into dark spaces to nuzzle and look at fish. Indigo, opalescent, darting through the undulating seagrass. Find out we missed the last trained dolphin show, which we both wanted to see. Paint is peeling on the curved walls. Crumpled candy bar wrappers and sand, gritty beneath my sandals, his heavy black shoes. The day is cloudless, bright. His clothing, down to underwear, even his sheets, towels, washcloth, is black. But his kissing is luminous. His pierced tongue a surprise. My first time. There are thirteen years between us. No one my age does their tongue. Ears, nipples, cock, maybe, as he has. But not nose, eyebrow, eight or ten gold rings in each ear, as he has also done. His piercings catch the light as we turn. Heads, both of ours, shaved, catch the light too.

We met at an East Village play that a mutual friend of ours was in. Saw each other during the intermission. Liked what we saw. Found each other when the play was over. Exchanged numbers. He came to my place a night or two later. We were kissing before the door closed behind him and have spent several nights together since, but this is our first time out in the world. We walk up a long ramp. He taps me on the shoulder. "Daniel!" and points, to a huge circular tank, painted Florida turquoise on the bottom. Two belugas circle within it. We circle around it, trapped on two dimensions. They, free to rise, fall, circle, spiral in all three dimensions, trapped in a different way. Then they see us in the crowd and come right toward us, dark, enormous. He and I kneel on the concrete walk, our packs sliding off, pressing our shoulders together, as if by accident.

They come right toward us. They press their huge bald domed heads right up to the glass, their dark eyes boring deep into us. And we fall into those huge dark eyes, pressed to the glass too, and meet them. Talking wordless animal body talk. "Hello hello hello. We're glad to be here with you. Yes yes yes." As we slide to sitting on the walkway, oblivious now to everything around us. Recognized by them. Seduced by them. Merging.

Click click click click. We turn. A busload of Japanese tourists has come up the ramp. They cluster around us. They see four domed heads pressed together on either side of a thick glass divide. Embarrassed, amused, we smile at them, then turn back, to that divide that is dividing nothing. The tourists press around us, loom above us, crane their heads to capture us from different angles. Clicking. Clicking. Around the tank other visitors knock on the glass. Parents with children. Straight couples, holding hands. They too want the attention, not of the tourists but of the belugas. But the whales have eyes for only us. Will not leave us. Have become a part of us, and we of them.

How long we are there, I cannot tell. Time stopped. City of dirt and noise and crowds, vanished. And then something made time start again. We pushed ourselves up. Grabbed our packs. They rose up. Pushed back. Came right up to the glass again. We pressed our hands to their faces. Our faces to the glass. Stepped away. Bowed to them. Returned to the subway. The rattle. The graffiti. Long ride underground, back to Manhattan. Both of us reading, not talking. He, Genet. Me, Colette. Then the long walk up at our stop, steps littered with wrappers of fast food burgers and empty cups, smelling of beer and urine. Walked down his crooked block. Pigeons scattering. Climbed dim lit stairs to his black-walled apartment. Sad, later, in bed, that we hadn't given our addresses to the tourists. That the only record we have of the day is the story we don't need to tell yet, pressing our faces together and becoming wet.



Andrew Ramer's first book was a collection of short short stories, "little pictures," which is out of print. He is the author of "Two Flutes Playing," "Angel Answers," and co-author of "The Spiritual Dimensions of Healing Addictions," and "Ask Your Angels." His work appears in "Best Gay Erotica 1998," "Best Gay Erotica 2001," "Kosher Meat," and "Afterwards: Real Sex from Gay Men's Diaries," newly released. A story of his appeared in issue #24 of "Doorknobs and BodyPaint," and you can read his weekly column by going to Enlightenment.Com and clicking on "Uriel's Web."
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